Articles

• Potentials of Drama Therapy in Unmasking the Personae of Survivors of Female Genital Mutilation among the Kenyan Maasai

  Zippora Okoth, John Mugubi

  5-34

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• A Critical Gender Analysis of James Atu Alachi’s Enekole

  Solomon Obidah Yamma

  35-43

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• The Gender Agenda in Kenyan Children’s Feature Films An Analysis of the Role of the Child Character in Exploring Gender Issues

  Evelyn Ojiambo-Hongo, John Mugubi, Rosemary Nyaole

  44-56

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• Film as an Artefact Confronting Kenya’s History through the Kitchen Toto and Nairobi Half Life

  Lencer Achieng’ Ndede,, Simon Peter Otieno, Miriam Musonye

  57-72

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• Madagascar Escape to Africa and Parents’ Career Expectations for Children A Thematic Discourse

  Dauda Ishaya Suntai, Simon Targema Tordue

  73-85

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• Identity and Musical Score in Tosh Gitonga’s Nairobi Half Life

  Simon Peter Otieno

  86-96

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• Female Mask/Masquerade in Nigeria, Aesthetics and the Art of Secret Societies

  Esther Akumbo Nyam

  97-104

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• Kenyan Television Stand-up Comedy as a Reflection of Societal Mentality

  Beneah Shapaya

  120-128

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• Grappling with Corruption in Democratic Nigeria A Paradigm of Felix Akinsipe’s Dawn of Awareness

  Reuben Embu, Samuel O Igomu

  129-146

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• From Primary Orality to Secondary Orality Internationalizing Eggonnyum Onzho Theatre in the Age of Globalization

  Hussaini U. Tsaku

  146-163

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