Current Issue

Vol. 1 No. 1 (2017): Journal of African Theatre, Film and Media Discourse
View Vol. 1 No. 1 (2017): Journal of African Theatre, Film and Media Discourse

The inaugural Journal of African Theatre, Film and Media Discourse aims at valuating the interactions existing between Culture, Film, Literature, Theatre Arts and mass media. The journal also examines the role culture plays in genre-formation,

Published: 2020-02-04

Articles

  • Potentials of Drama Therapy in Unmasking the Personae of Survivors of Female Genital Mutilation among the Kenyan Maasai

    Zippora Okoth, John Mugubi
    5-34
    DOI: https://doi.org/10.33886/kujat.v1i1.123

  • A Critical Gender Analysis of James Atu Alachi’s Enekole

    Solomon Obidah Yamma
    35-43
    DOI: https://doi.org/10.33886/kujat.v1i1.122

  • The Gender Agenda in Kenyan Children’s Feature Films An Analysis of the Role of the Child Character in Exploring Gender Issues

    Evelyn Ojiambo-Hongo, John Mugubi, Rosemary Nyaole
    44-56
    DOI: https://doi.org/10.33886/kujat.v1i1.125

  • Film as an Artefact Confronting Kenya’s History through the Kitchen Toto and Nairobi Half Life

    Lencer Achieng’ Ndede,, Simon Peter Otieno, Miriam Musonye
    57-72
    DOI: https://doi.org/10.33886/kujat.v1i1.126

  • Madagascar Escape to Africa and Parents’ Career Expectations for Children A Thematic Discourse

    Dauda Ishaya Suntai, Simon Targema Tordue
    73-85
    DOI: https://doi.org/10.33886/kujat.v1i1.127

  • Identity and Musical Score in Tosh Gitonga’s Nairobi Half Life

    Simon Peter Otieno
    86-96

  • Female Mask/Masquerade in Nigeria, Aesthetics and the Art of Secret Societies

    Esther Akumbo Nyam
    97-104
    DOI: https://doi.org/10.33886/kujat.v1i1.129

  • Kenyan Television Stand-up Comedy as a Reflection of Societal Mentality

    Beneah Shapaya
    120-128
    DOI: https://doi.org/10.33886/kujat.v1i1.130

  • Grappling with Corruption in Democratic Nigeria A Paradigm of Felix Akinsipe’s Dawn of Awareness

    Reuben Embu, Samuel O Igomu
    129-146
    DOI: https://doi.org/10.33886/kujat.v1i1.131

  • From Primary Orality to Secondary Orality Internationalizing Eggonnyum Onzho Theatre in the Age of Globalization

    Hussaini U. Tsaku
    146-163
    DOI: https://doi.org/10.33886/kujat.v1i1.132
View All Issues